Sofía Forchieri | Towards an Aesthetics of Discomfort: Feminicide in Contemporary Latin American Cultural Production

Towards an Aesthetics of Discomfort

Sofía Forchieri | Radboud University
Current conversations taking place in the fields of memory studies and perpetrator studies insist on the need to complicate the victim-perpetrator binary in order to capture the systemic underpinnings of violence. Central to these debates are the arts, where indirect forms of involvement that enable large-scale harms are being explored with intensified urgency.

Jilt Jorritsma | Mapping the Sinking City: Anticipatory Futures, Past Traces and the Imagination of Urban Submergence in Amsterdam, New York and Mexico City

Jilt Jorritsma | Open Universiteit
Due to the accelerated rise of sea levels and global temperatures, several of the world’s major cities are slowly sinking into the sea, while others are sinking because of an increase of groundwater evaporation. Adaptation to these problems is highly reliant on the development of future imaginaries: predictive imagery (maps, narratives, scenarios) that visualizes future realities of submergence in order to shape present-day actions and decisions.

Message from OSL’s PhD Representatives

26 August 2020
With this message we would like to inform you that we, Kim Schoof (OU) and Judith Jansma (RUG), are the PhD representatives of OSL. This concretely means two things. First, we represent your interests during our quarterly meetings with the advisory board of OSL. Second, our goal is to create a closer community of OSL PhD candidates, which is why we want to reanimate the yearly PhD day.

Kim Schoof | Literature as “compearance-attestation”

Kim Schoof | Open Universiteit
In the last decades, the popularity of autobiographical literature has increased in such a way that today, ‘it qualifies as a cultural obsession’. (diBattista and Wittman, The Cambridge Companion to Autobiography 2014: 1) While postmodern philosophy criticized the idea that anyone can attest directly to their “true” experiences in written text, writers – feeling encouraged rather than disheartened – never stopped finding creative and aesthetic ways to do so.