Online | 1 October 2021, 14:00-18:10 CET

Organizers: Juan Del Valle Rojas, Elizabeth Pinilla Duarte and Gonzalo Albornoz Barra (University of Groningen)
Open to: Everyone; OSL PhDs and RMA students have first access.
Credits: 1EC. More details on the assignment are provided below.
NB 1: Credits can only be awarded to humanities ReMA and PhD students from Dutch universities.
NB 2: The event will take place in Spanish, with the exception of Panel Session 2 (which will be given in English).

Registration for the event will open September 8, 2021. 

Groningen | 28-29 October 2021
[NB: The event is planned as hybrid, but will move online if necessary]

Organizers: Ksenia Robbe (University of Groningen), Hanneke Stuit (University of Amsterdam) and Sanjukta Sunderason (University of Amsterdam)
Keynote speakers: Ilya Kukulin (National Research University Higher School of Economics, Moscow), Andrew van der Vlies (University of Adelaide), Françoise Vergès (Collège d’études mondiales | Fondation Maison des sciences de l’homme, Paris)
Venue: University of Groningen, Harmoniecomplex Oude Kijk in t Jatstraat 26, Groningen.
(Day 1) 1315:0049 and (Day 2) 1315:0043
Open to: PhDs and RMA students; OSL members have first access.
Please note that places for the workshop are limited, and priority will be given to OSL students. However, there are no limits for remote attendance to the keynote lectures. If you are only interested in attending the keynote sessions online, please register here for the individual keynotes.
Credits: 1-2ECs. NB: Credits can only be awarded to humanities ReMA and PhD students from Dutch universities.

Registration is closed. The workshop is fully booked.
You can still register for the individual keynotes here

The end of the Cold War at the turn of the 1990s initiated a global discourse of contemporaneity that was meant to deconstruct the linear progressive time of modernity as well as its dialectics that dominated the 20th century. In literature and artistic imagination, this postmodern sensibility was meant to institute a new “politics of time” (Osborne) marked by globalization – both open and seamless, as well as generative of a new expansive, fluid episteme. The heavily Eurocentric myopia of this view found starkest expressions in the idea of the “end of history” (Fukuyama) that declared the end of politics itself. Yet arrested within such perceptions of new spatio-temporal fluidities of “the contemporary” were the heterogeneous temporalities of decolonization and democratic change in societies that had been negotiating the impacts and afterlives of empire and ideological conflicts of the Cold War itself across the long 20th century.

As the West’s accelerated histories perpetuated a politics of presentism, marked by the fear of time itself – chronophobia (Lee) – the “non-West”, implicated otherwise in the very dialectics that was now deemed “over” – has been left to grapple with epistemological hegemonies of homogeneous time. Yet, it is amidst the new postcolonial and postsocialist societies of the 1990s that we can encounter braided temporalities of struggle, affirmation, memorialization, and utopic horizons. We can seek here new and alternate forms of contemporaneity that do not eclipse the spectre of history but materialize it via aesthetic form. In this workshop, we foreground such forms, and ask: are connected questions around the dynamics of time and memory in postcolonial and postsocialist aesthetics possible? We turn to literature and art to seek new frontiers of dialogues, questions and potentialities.

This workshop addresses the ways in which literature and art, in their generic capacity for multi-perspective representation, reimagine place and agency in the impasse of an eternal present and develop ways of engaging with the past that “resurface” futurity. We propose to begin thinking about these questions from the “peripheries” of the Global South and the Global East which, despite their key role in the global transformations of the 1980-1990s, are mostly regarded as recipients rather than producers of theoretical and critical perspectives.  At the same time, the dynamics of transformation in these contexts continue to be largely divorced from each other and mediated via comparison to the West. We begin to think about and through the dynamics of time and memory since the 1990s beyond the “failures” of postcolonial and postsocialist transitions, and beyond traumatic repetition and postmodern cynicism. Drawing upon Jean and John L. Comaroffs’ proposition that African and other Global South societies are where key practices and ideas are being developed and tested before they “travel” to the West, we open a dialogue between these and postsocialist contexts of the Global East. We suggest that these entangled contexts generate alternative temporalities and constellations of time as they grapple with ambiguities of “post-transitional” experience and experiment with a variety of post- /alter-postmodernist modes.

Memory and place have been at the foreground of social and political contestation in postcolonial and postsocialist contexts, and so, these are the “sites” from which we begin our exploration. We approach memory in the broad sense as socio-cultural acts (Bal) of engaging with the past that shape, in each new iteration, specific connections between pasts, presents and futures, and determine the logic and the spatial coordinates of these temporal constructions. Through remembering, time is resignified and connected to (or disconnected from) place, and various acts of remediating constitute further temporal-spatial dynamics (Erll & Rigney). We aim to initiate new theorizations of postcolonial/ postsocialist entanglements by focusing on configurations of time and memory in practices of literature and art, for which “(post)colonialism” and “(post)socialism” are relevant markers (i.e. also including Western and diasporic practices). This inquiry brings together theoretical perspectives on historical time and memory, which often run parallel courses in cultural history and memory studies scholarship.

We ask: which temporalities are involved in acts of remembering as a “post-transitional” experience? And what ways of engaging with the past can we observe in narrative and visual constructions of the past in Southern and Eastern knowledges? How do imaginations from the Global South and East produce theoretical insights that rework hegemonic transnational cultural repertoires across the world?

References 

• Bal, Mieke. “Introduction.” Acts of Memory: Cultural Recall in the Present. Ed. by Mieke Bal, Jonathan Crewe and Leo Spitzer. Hanover & London: University Press of New England, 1999. Vii-xvii.
• Comaroff, Jean, and John L. Comaroff. Theory from the South: Or, How Euro-America is Evolving toward Africa. Boulder & London: Paradigm, 2012.
• Erll, Astrid, and Ann Rigney. “Introduction: Cultural Memory and Its Dynamics.” Mediation, Remediation, and the Dynamics of Cultural Memory. Ed. by Astrid Erll and Ann Rigney. Berlin: De Gruyter, 2008. 1-14.
• Fukuyama, Francis. The End of History and the Last Man. New York: Free Press, 1992.
• Lee, Pamela. Chronophobia: On Time in the Art of the 1960s. Cambridge MA: MIT Press, 2004.
• Osborne, Peter. Politics of Time: Modernity and Avant-Garde. London: Verso, 1995.

Programme

[NB: All times are CET]

Day 1

10.00 – 10.15 – Welcome and introduction

10.15 – 11.30 – Keynote Françoise Vergès

11.30 – 12.00 – Coffee break

12.00 – 13.30 – Panel “Troubling Transitions: Postcolonial/Postsocialist Interventions”

13.30 – 14.30 – Lunch

14.30 – 16.00 – Panel “Beyond Impasses of Rural Time”

16.00 – 16.30 – Coffee break

16.30 – 17.45 – Keynote Ilya Kukulin

Day 2

10.15 – 11.30 – Keynote Andrew van der Vlies

11.30 – 12.00 – Coffee break

12.00 – 13.30 – Panel “Memory and Displacement”

13.30 – 14.30 – Lunch

14.30 – 16.00 – Roundtable

16.00 – 16.30 – Closing discussion

Drinks

The workshop is sponsored by the Netherlands Research School for Literary Studies (OSL), the Amsterdam School for Cultural Analysis (ASCA) and the Amsterdam School for Heritage, Memory and Material Culture (AHM).  It is organized by members of the OSL research group “Theories from the South and the East in Literature and Culture” and the AHM research group “Global Trajectories of Thought and Memory: Art and the Global South”.

Panels and participants

Keynotes: Abstracts and Bios

Credits and assignments

Online | Monday 1 November 2021 (10:30-16:30) + Tuesday 2 November 2021 (13:00-17:30)

Organizers: Camilla Sutherland (University of Groningen), Ruth Clemens (Utrecht University) and Kathryn Roberts (University of Groningen)
Open to: PhDs and RMA students; OSL members have first access.
Credits: 1-2ECs. NB: Credits can only be awarded to humanities ReMA and PhD students from Dutch universities.

Registration for the event will open September 8, 2021.

Full programme

Preparation and assignments

Amsterdam | 19-20-21 January 2022 
[NB: The event is planned as hybrid, but will move online if necessary]

Organizers: Prof. Dr. Maria Boletsi (Leiden University / University of Amsterdam), Dr. Marc Farrant (University of Amsterdam), Divya Nadkarni (University of Amsterdam), Dr. Marco de Waard (Amsterdam University College).

Confirmed keynotes:

• Sarah de Mul (Open University NL), “Feminist and Postcolonial Artistic Responses to Burnout Culture”
• Rachel Greenwald Smith (Saint Louis University), “Compromise: The Aesthetics of Liberalism and Liberal Aesthetic”
• Pieter Vermeulen (KU Leuven), “Swarms, Trees, Fungi, Markets, and Other Fictions of Spontaneous Order”
• Johannes Völz (Goethe-University, Frankfurt am Main), “The Post-Liberal Aesthetic, or: Can Literary Studies Help Unsettle Polarization?”

Open to: PhDs and RMA students; OSL members have first access.

Credits: 5-6ECs. NB: Credits can only be awarded to humanities ReMA and PhD students from Dutch universities.

Registration for the event will open November 15, 2021
PLEASE NOTE: When registering, please let us know your study programme and potential research interests.

Against the rapidly accelerating ravages of neoliberalism across the globe, the term “liberal” has, more than ever, come to be contested in public debate. Yet the idea of the novel as a “liberal” genre – dating to the heyday of nineteenth-century realism – persists, even as it may (at times) struggle to break free of its Western heritage. In the effort to imagine alternative forms of social organization and political community beyond an individualist ontology, and to come to terms with new modes of reading and critique beyond the neoliberal imprint, fiction writers are developing modes of expression that innovatively negotiate continuities with older forms and literary traditions – precisely as they seek to respond to what is new. In tracking and mapping the new forms of literary expression and practices of critique that are emerging in and for (late, neo,- or post-)liberal times, this winter school aims to hold the different meanings of “liberal” – indeed, the full spectrum – in play: from political and economic (neo-)liberalism, on the one hand, to literary or aesthetic liberalism (especially in the context of old and new realisms in the novel) on the other, while also making room for decolonial and critical race approaches.

The winter school will focus on the kinship between the novel and its liberal heritage along two theoretical axes: the question of critique (in theory and practice) and the question of political community in the public sphere. Revisiting the valence of critique today, in proclaimed “post-critical” times, the school seeks to explore new critical grammars to address the challenges of our neoliberal “now,” including the shrinking of public space, rising inequality, the so-called culture wars, and the polarization of discourse in contemporary politics of language. Concerning the question of publicness, it seeks to examine how contemporary literatures across the globe represent, negotiate, or otherwise respond to tensions and contradictions at work in today’s public spheres – seen, for instance, in terms of new forms of protest and contestation around post-truth politics, putatively “liberal” notions of freedom of speech and expression, and the challenges posed to public assembly in times of a global pandemic. Insofar as today’s public spheres are being hollowed out by neoliberal dynamics of depoliticization, what new possibilities for political speech and action are being created, proposed, or (re)imagined in literary writing? And what function or role (if any) is being played in this by the “liberal” as a site of discursive contestation and a persistent historical referent?

Topics we will discuss include:

• Literature (esp. the novel) and liberalism (cf. Nancy Armstrong, 2005: Amanda Anderson, 2011)
• Neoliberalism, late liberalism, postliberalism
• Literature and public culture, public spaces, the commons
• Critique and postcritique
• Politics of language, speech acts, identity, and community in contemporary cultural texts
• The “contemporary” in literature, alternative temporalities, futurity
• Literary responses to contemporary challenges (the pandemic, post-truth, environmental destruction)
• Decolonial and critical race approaches to liberalism and literature

More details on the programme and assignments will follow soon.

This event is sponsored and co-organized by OSL with generous support of ASCA (Amsterdam School of Cultural Analysis).