Dates: 12-13 December 2019
Venue: Amsterdam, Roeterseiland REC A 1.02 (12 December); Amsterdam, NIAS Seminar Room, Korte Spinhuissteeg 3 (13 December)
Open to: PhD Candidates and RMa Students, OSL members will have first access
Credits: 1-2 EC (depending on attending 1 or 2 days)
Organizers: Dr Nilgun Bayraktar (California College of the Arts; NIAS) and Dr Alberto Godioli (University of Groningen)
Please specify which day(s) you want to attend when you register (see below).
NOTE: The conference is fully booked, however we still have places available on the first day (12 December). Please send an e-mail to firstname.lastname@example.org if you want to attend the first day. Don’t forget to mention your name, university and national research school.
If you want to be on the waiting list for both days, please send an e-mail to email@example.com. Don’t forget to mention your name, university and national research school.
The notion of defamiliarization is strikingly undertheorized; when it comes to systematic definitions of this concept, not much progress has been made since Russian Formalist Viktor Shklovsky’s work on ostranenie in literature in the early 20th century, or German playwright Bertolt Brecht’s theorization of Verfremdungseffekt in the 1930s to describe theatrical devices that break audiences’ passive absorption in theatrical illusion.
Defamiliarizing practices today play a key role in contemporary artworks engaging with highly topical issues, such as migration, climate change or the rise of right-wing populist discourses. Whether we are dealing with retro-futuristic dystopias, films breaking the fourth wall, or darkly humorous cartoons, defamiliarization can be an effective tool for political activation – one based on formal innovation, rather than on content or on superficial emotional engagement.
But how exactly can we distinguish between different forms of defamiliarization? How can we investigate its effects on the reader/viewer? How does defamiliarization relate to neighboring notions such as the weird, the eerie, or the uncanny? During this two-day conference, a team of scholars working on defamiliarization across media will tackle these questions. The conference will also feature a panel with artists whose work addresses these issues.
Confirmed speakers: Dr Nilgun Bayraktar (California College of the Arts / NIAS); Prof. Dr. Maria Boletsi (UvA / Leiden); Prof. Dr. Esther Pereen, Lora Sariaslan (UvA); Dr Alberto Godioli, Dr Christian Kirchmeier, Dr Florian Lippert, Prof. Dr. Annie van den Oever, Prof. Dr. Pablo Valdivia, Ruby de Vos (RUG); alaa minawi, Jo-Lene Ong.
FULL PROGRAMME AND BIOS AVAILABLE HERE
- 1 EC can be obtained by attending 1 day of the conference and writing a critical review of one chosen session (750 words, +/- 10%, not counting bibliography). 2 EC can be obtained by attending both days, and writing a critical review about two sessions (one per day; 750 words per session, +/- 10%).
- Critical reviews should directly engage with the talks given in the selected session(s), and include references to at least two relevant academic sources. They should be submitted via email to firstname.lastname@example.org by Monday 13 January 2020, 23:59.
- If you wish to find out more about the concept of defamiliarization before the conference, you can start with Viktor Shklovsky’s ‘Art as Technique‘ (1917) and with the volume Ostrannenie. On “Strangeness” and the Moving Image, ed. by Annie van den Oever (Amsterdam: Amsterdam University Press, 2010). More reading suggestions for your critical reviews will come from the speakers’ presentations.